An article gone viral, academic presentations & upcoming theatre

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If you haven’t read it, my latest article on the Stanford sexual assault has gone somewhat viral, with over 90,000 people (at last count) reading it around the world!  After The Conversation published it, other media outlets like the Australian Broadcasting Corporation, The Independent, TIME, Scroll, and Raw Story ran it, making it available to readers as far flung as Oz and India.  Case in point: social media amplifies (as I argue in my article), and with millions of people worldwide reading the full impact statement of the Stanford survivor, this case has become a game-changer in influencing the way we think and talk about sexual assault.Screen Shot 2016-06-14 at 13.06.16

This is all very on topic for my PhD research on social media and narratives by rape survivors, and  I’m thrilled to announce I recently passed my PhD upgrade at the London School of Economics! Which means it’ll now just be, oh, three years before you can call me ‘doctor’?  (Yep, a long game we’re talking here.) This week I’ve just presented a paper on my work with child sexual abuse survivors at the CMCI PhD Conference ‘(In)Visible Cultures’ at Kings’ College London, and I’ll be presenting it again at the Media and Communications PhD Symposium at the LSE on June 30th.

On June 23 and 27, I’ll chair the Q&A following performances of Foreign Body, a work-in-progress piece of physical theatre, which explores a woman’s memory of sexual assault and her interview with her perpetrator.  The Q&A will be with Imogen Butler-Cole of The What Works (the theatre-maker who created and performs Foreign Body) and Marina Cantacuzino and Anne-Marie Cockburn of The Forgiveness Project.  Marina founded the well-known project, and Anne-Marie’s own restorative process with the young man who supplied a fatal overdose of MDMA to her 15-year-old daughter is a remarkable journey, You can watch her story here. We’ll be discussing trauma, recovery, and restorative justice among other things — and do join us at either of the performances: at the Off Beat Festival in Oxford at 7:45pm on Thursday, June 23 (tickets £8/6) and at the RADA Festival in London at 4pm on Monday, June 27 (tickets £10/5).  Hope to see you there!

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Last month, I had the pleasure of attending the 2016 Asian Women of Achievement Awards Dinner, where I was shortlisted in the Social and Humanitarian category.  Although I didn’t win, it was truly inspiring to be among so many fantastic women, who have made such a difference in their work across a range of industries.  Here’s me and the delightful Harleen Kaur, winner in the Sports category, who at 17-years-old is an international World Martial Kombat champion. It’ll be an honour to be part of a growing network of accomplished Asian women recognised by the Women of the Future Foundation — and I look forward to seeing our collective positive impact on society continue!AWAA w Harleen

Just launched the Clear Lines Festival

After two months of hard work and a lot of enthusiasm, I’m very pleased to announce the launch of the Clear Lines Festival, the UK’s first-ever festival dedicated to talking about sexual assault through the arts and discussion. It’s something I co-founded in April (coincidentally, on the anniversary of my own rape) —  over coffee with Dr. Nina Burrowes and a group of other amazing women, all of whom are passionate about wanting to change the public conversation about sexual abuse and assault.  I personally believe the arts are one of the best ways to approach the issue, by bringing to light the human stories that underpin these experiences.  So we’re putting together an exciting programme of artists, writers, comedians, performers, and filmmakers, who will be exploring the topic through their art — along with panel discussions and workshops featuring psychologists, experts, social workers, journalists, and survivors, among others.  Nearly all events will be free to the public. The festival will run July 30 – Aug 2 in Central London.

At the moment, we’re busy crowd-funding so we can have enough funds to make the festival possible.  We’ll need £3,500 for that — and if we reach our stretch target of £9,000, we’ll be able to film the events and post them online so others around the world can access them.  So please do consider pledging if you can!  You can watch a video of me talking about the festival here.  Join us and together, let’s see if we can replace the silence and stigma that cloud this issue with insight, understanding, and community.

 

A few theatre projects

I’m pleased to say the London performance of my short play “Everything’s Normal” was sold-out!  Thanks to everyone to came, and especially to a great cast and to Tessa Hart at Goblin Baby Theatre Company for making the whole thing possible.  Here’s a few photos from the night at the Bread and Roses Theatre:

Photographer: Kenneth Jay

My play was part of the UNHEARD 2015 Festival, exploring themes of sexual abuse and violence through performance.  Proceeds from ticket sales went to nia, a non-profit dedicated to ending violence against women and children.  More importantly, it was great to meet other artists committed to exploring the many angles and human aspects of this issue through storytelling.  The various plays were

Photographer: Kenneth Jay

diverse, funny, often heart-wrenching, and powerful — and I hope to see more theatre like it.  For my HuffPost article on the creative process behind the festival, click here.

Another short play of mine will be performed on Saturday, March 21 at The Space Arts Centre in London. This one’s just a silly exercise I knocked off during the 28 Plays Later Challenge, which kept me occupied in February.  Yes, me and a bunch of other ambitious/insane writers decided to a write new play every day in February (hence the 28 plays). A creative prompt was emailed out every night, and 36 hours later, we had to send in a new play responding to that.  Needless to say, my play on March 21 is a response to: ‘Write a play that rhymes.’ Actually, that one was pretty fun to write!

Anyway, enough with theatre for now (though I hope to do more with writing drama in the future).  I’m back to re-drafting my novel at the moment…